'Walk Straight Shout Loud'

Continuation of Reasearch from Dec 2012

Sunday, December 30, 2012

Baker Overstreet - Atavistic Future

Influenced by tribal and folk art, Baker Overstreet envisions a primitive abstraction reflective of contemporary zeitgeist. In totemic compositions of bold colour and stylised patterning Overstreet develops his own painterly lexicon comprised of personal symbolism and gesture. Through their atavistic formalism, Overstreet’s symmetrical arrangements create deceptive pictorial fields: Rough scrawled lines and blocks of vibrant hue evoke fleeting suggestions of figurative or architectural form, creating moments of recognition only to be devoured by the urgency of the painting's surfaces.


















Posted by Walk Straight Shout Loud at 3:07 PM
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    • ▼  December (22)
      • Deshawn Dumas - Geometry in Reality, the 2010's
      • In Defense of the 'Politics of Difference'
      • Baker Overstreet - Atavistic Future
      • Atavistic Formalism
      • Russell Tyler - A Post-Post-Modern Halley
      • Jonathan Allmaier
      • Joey Piziali - Geometry Exhausted
      • Tatiana Berg - To Paint a Time Never Experienced
      • Jacob Kassay - Non-referential Monochromes
      • 'Save the Last Dance for Me' Repetition of Clischés
      • Tomma Abts - Aesthetics and Time
      • Christmas Reading: 'Painting in the twenty-tens; w...
      • Post-ironic Imagery - Confusion of Time and Intent...
      • Adrian Wong
      • To Look Back at Something that Looked Forward
      • Ian Homerston - Printing Simulated Painting III
      • Laurence Chalk - Objects, Aesthetics and their Ali...
      • Rosalind Krauss - Post-Medium Condition
      • John Summers - Future Primitive
      • Wade Guyton - Printing Simulated Painting II
      • Sherrie Levine - Meltdown
      • Christopher Wool - Printing Simulated Painting

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